"A magical fusion of sounds."
Globe & Mail, Toronto

Welcome

Hildegard Westerkamp is a composer, radio artist and sound ecologist.
She presents soundscape workshops and lectures internationally, performs and writes.
"There was more than just a hint of oracular mysticism in Westerkamp's art. There was a magic in those sounds.” Stephen Pedersen, Chronicle-Herald, Halifax

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University of Toronto WEATHER SOUNDINGS events, this week Jan 13 to 17: soundwalks, chats, and a concert

The University of Toronto WEATHER SOUNDINGS event series features five days of chats, concerts, and soundwalking. Complete schedule below. Also see the lovely posters!

Monday 13 January 2020, 5:00-7:00 pm, Canadian Music Centre
BEING IN THE WEATHER: MUSIC, ENVIRONMENT, AND ACTIVISM
Cinq-à-sept Reception, Listening Session and Artist Chat –– in conversation with Hildegard Westerkamp, Rachel Iwaasa, and Daniel Grimley Canadian Music Centre, 20 St. Joseph Street

Tuesday 14 January 2020, 7:30 pm, Walter Hall
THE 2020 KAREN KIESER PRIZE CONCERT
Vancouver pianist Rachel Iwaasa performs music of Hildegard Westerkamp with live electroacoustic diffusions by Westerkamp, plus performances by Montréal’s Quatuor Cobalt, including Francis Ubertelli’s prizewinning work University of Toronto Faculty of Music, 80 Queen’s Park Crescent

Wednesday 15 January 2020, 10:45 am-1:00 pm
SOUNDWALKING
A ravine walk with Hildegard Westerkamp and Amish Morell
meet at the Doris McCarthy Gallery, UTSC, 1265 Military Trail

Thursday 16 January 2020, 3:30 pm, Barker Fairley Room (130)
WHITE LIGHT: GREENLAND, DENMARK, AND THE POSTCOLONIAL
Lecture by Daniel Grimley (Oxford University), part of the
Faculty of Music Graduate Colloquium Series in Musicology, Ethnomusicology, and Music Theory –– reception to follow
University of Toronto Faculty of Music, 80 Queen’s Park Crescent

Friday 17 January 2020, 1:00-1:45 pm
SOUNDWALKING
A campus walk with Hildegard Westerkamp, Sherry Ostapovitch, and WalkingLab
meet at the Jackman Humanities Building, main lobby, 170 St. George Street

All events are free and open to everyone

"Westerkamp's music balances a poetics of sound with social commitments that include feminism and environmental politics. Her compositions are critical enactments of acoustic space....All invoke attentive listening." Donna Zapf, Beiträge zur Neuen Music, Germany

Workshops

My workshops are essentially an enquiry into our relationship to place through listening and an enquiry into listening itself. Conscious attention to the soundscape is like learning a new language and conscious listening and soundmaking is a way of placing ourselves inside the workings of our cultures, societies and landscapes as involved, living participants.

A variety of listening and soundmaking activities offer ways to deepen our relationship to place and to explore what acoustically balanced sound existences might be. Some workshops may be conducted entirely without the use of technology, others may involve recording equipment, editing and mixing facilities, depending on the context and the focus. Soundwalks may be simple listening walks "by ear" or may also include the use of field recording equipment and/or ear protection. Other activities/actions may involve the creation of sound maps and sound scores, monitoring of and documenting a sound environment in a specific location and for a specific time span, writing of sound journals and many more actions/activities.

Not only is the focus of each workshop slightly different, but also the group of participants may vary greatly. Workshop themes, activities, length and participation are developed according to each context. Topics may range from sound ecology, to listening perception, soundscape composition, the use of music, sound design, noise, radio/media, music, silence, and so on.

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