Writing by Hildegard Westerkamp

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The Microphone Ear: Field Recording the Soundscape

The Disruptive Nature of Listening: Today Yesterday Tomorrow (in "Sound, Media, Ecology")

Sustainable Soundwalking - Passing on and relaying acoustic ecology's core practice

The Natural Complexities of Environmental Listening: One Soundwalk – Multiple Responses

The Practice of Listening in Unsettled Times

The Disruptive Nature of Listening (keynote at ISEA2015)

An Imaginary Meeting: The Making of MotherVoiceTalk (2008)

Listening and Soundmaking: A Study of Music-as-Environment (in "Sound by Artists")

Soundwalk Practice: An Agent for Change?

Yoga and Construction Noise

Exploring Balance and Focus in Acoustic Ecology

Soundtracks Everywhere

Listening Walking Remembering- A sound journey in words

Soundwalking as Ecological Practice - 2023 update: Spanish translations published - 2 publicaciones en español

Linking Soundscape Composition and Acoustic Ecology

Soundwalking

The Local and Global "Language" of Environmental Sound

Soundscape Composition: Linking Inner and Outer Worlds

SAY SOMETHING ABOUT MUSIC...

NADA - an Experience in Sound

Speaking from Inside the Soundscape

Listening to the Listening

Soundscapes of Cities

Bauhaus and Soundscape Studies - Exploring Connections and Differences

The Soundscape on Radio

Soundscape Brasilia in Context

Listening and Soundmaking: A Study of Music-As-Environment (in MA Thesis)

The New Museum of Anthropology in Vancouver: An Acoustic Dump

Topics

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Soundwalking

2001 January 1, Monday Filed in: Publication | soundwalk

originally published in Sound Heritage, Volume III Number 4, Victoria B.C., 1974. Revised 2001

published in: Autumn Leaves, Sound and the Environment in Artistic Practice, Ed. Angus Carlyle, Double Entendre, Paris, 2007, p. 49.

Tags: essay

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